Small Things Like These (M) - 98 minutes
- Alex First
- 3 days ago
- 3 min read
Updated: 17 hours ago
Cloaked in mystery, Small Things Like These is an atmospheric, heartfelt elegy, featuring a phenomenal leading performance from Cillian Murphy.
He plays Bill Furlong, a hard-working coal and fuel merchant in a town called New Ross, in Wexford, in Ireland, in the lead up to Christmas 1985.
Married with five daughters, he is a man of few words, but deep thoughts.
He hasn’t led an easy life. He sleeps in fits and starts, and his past comes back to haunt him.

His mother, Sarah (Agnes O’Casey), was an unmarried teenager who was ostracised by her family.
Still, she was allowed to continue to work as a maid for well-to-do employer Mrs Wilson (Michelle Fairley).
Young Bill (Louis Kirwan) is respectful, even though he doesn’t have much, but is disappointed when his wish for a simple puzzle isn’t granted one Christmas.
As an adult, among his run delivering coal and fuel is the local convent, where he has witnessed some harsh goings on.
That includes seeing young, deprived-looking women going about their business, one of whom pleads with him to take her away.

Then, one day, he comes across a dishevelled pregnant woman, Sarah (Zara Devlin), locked in an outbuilding. She appears traumatised.
Two of Bill’s daughters attended the school run by the nuns, with others to follow.
So, it is that the Mother Superior (Emily Watson) tries to sugar coat what Bill witnessed.
His wife, Eileen (Eileen Walsh), too, urges Bill to focus on his own family, while local pub owner, Mrs Kehoe (Helen Behan), doesn’t want him to rock the boat.
But he can’t let matters lie.

The film finishes with a dedication to the victims of what were known as the Magdalene Laundries in Ireland, which targeted so called “fallen women”.
These included orphans and victims of incest, rape, desertion and abuse, who were treated shamefully and brutalised.
Based on a historical fiction novella of the same name by Claire Keegan, published in November 2021, Small Things Like These, the movie, is a haunting experience.
Slow moving, dour and unrelenting, it is also a considered, well-conceived and executed piece of filmmaking.
Written by Tim Mielants and directed by Enda Walsh, it requires work on the part of the audience to align the disparate threads, something I appreciated.

While the link between the young and older Bill is obvious, the rest comes together in time.
This may be the performance of Cillian Murphy’s highly regarded career. His expression, his mournful, all-seeing eyes, speak volumes. Words are all but superfluous.
Louis Kirwan, as young Bill, is also highly evocative.
Those two are the stars of the show but, around them, the support cast provides the building blocks to what unfolds. They play their parts well.
Eileen Walsh brings pragmatism to Bill’s wife, while Emily Watson invests authority in the Mother Superior.

There is desperation in Zara Devlin as the young woman Bill finds in the shed and decency in Michelle Fairley as young Bill’s mother’s employer.
The period detail in Small Things Like These is mighty impressive.
That includes the look of the film, led by production designer Paki Smith, cinematographer Frank van den Eeden and costume designer Alison McCosh.
As shards of light fall upon the face of Cillian Murphy, I was struck by the impact of the outstanding lighting design.
His breath work is skilfully captured in the sound design.

Small Things Like These may be a tough watch, but it is unquestionably the full package – a film well worth seeing.
Rated M, it scores an 8½ out of 10.
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