One of the most powerful opening nights I have attended, the cast of Jesus Christ Superstar absolutely nailed it at the Princess Theatre.
They elevated the drama and spectacle of an already mighty, angst riddled and potent story.
It is about Jesus and the 12 apostles, one of whom – Judas Iscariot – isn’t happy with the direction Jesus is steering his disciples.
Photos by Jeff Busby
Judas is concerned that the Roman Empire might perceive them as a threat and take action against them.
Judas also tells Jesus to avoid Mary Magdalene, who is trying to calm Jesus.
The former claims associating with a prostitute flies in the face of Jesus’ teachings.
Jesus scolds Judas for his judgment and the latter ends up selling his soul for 30 pieces of silver.
Jesus’ crucifixion beckons.
Under director Timothy Sheader and musical director Dave Skelton, this is a superbly mounted production.
It is led from the front by the extraordinary voice of Michael Paynter, distinguished by his vocal range.
The highest compliment I can pay him is that I swear at times he channelled his inner John Farnham. Farnham is my favourite singer by a long stretch.
Strutting about the stage with purpose, Javon King slays it as the brusque Judas, his intense expression featuring in a standout performance.
The stunning, pure vocalisation of Mahalia Barnes is the stuff of goosebumps. She, too, delivers with conviction.
Reuben Kaye as Herod. My golly. What a match made in heaven. His appearance is a revelation. His shtick is infectious. He pouts and pontificates with purpose.
And on and on the showcase of supreme talent goes.
Cases in point are Peter Murphy as Pontius Pilate, Governor of Judea and Elliot Baker and John O’Hara as High Priests Caiaphas and Annas.
Pilate foresees the crucifixion, while Caiaphas and Annas believe Jesus’ threat to be real.
Slick and seamless choreography by Drew McOnie capitalises on the strength of the ensemble.
The guitar riff intro to Jesus Christ Superstar establishes the rock opera vibe, for this is a story that unfolds purely through the music.
Fifty-four years on I continue to be awestruck by what Andrew Lloyd Webber (music) and Tim Rice (lyrics) created.
The industrial wood and steel set, with the Latin cross motif prominent throughout – also highlighted by the lighting – ring true to the theme.
Many characters are often seen striding down the large cross, which doubles as a catwalk at the right of the stage.
Costuming comes to the fore early as the ensemble clammers onto the stage, all wearing loose clothing and hoodies. Tom Scutt is the set and costume designer.
Great creativity has been employed with the microphone stands too, which resonate as statements of power when motif and spear tipped.
Jesus Christ Superstar is a musical and imaginative triumph. Highly impactful, it is playing at Princess Theatre until 22nd June, 2025.
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