Outstanding performances distinguish an extraordinarily insightful, Pulitzer Prize-winning (2018) script about the human condition in Cost of Living.
Unfolding with heart, humour and pathos, it is a bravura production in every regard –simply stunning.
Eddie (Aaron Pedersen) is lonely and desperately missing his wife Ani (Rachel Edmonds) who has passed away.
Photos by Pia Johnson
A former truck driver cum fence painter, he is at the pub, offering free drinks all around.
Then the piece cuts back to Eddie’s interactions with Ani after a tragic accident that left her paralysed and confined to a wheelchair.
The pair is estranged and he has taken up with another woman.
Regardless, notwithstanding Ani’s initial protestations, he becomes Ani's carer.
Their connection, after nearly 21 years together, is palpable.
Jess (Mabel Li) is a studied, hardworking 25-year-old who has a couple of late night pub gigs.
In need of money, she takes another job as a support worker for affluent PhD candidate John (Oli Pizzey Stratford), who has cerebral palsy.
She has no qualms about seeing to his daily needs, but is reluctant to open up about her life, which he implores her to do.
Their connection grows.
The two stories are interspersed (scene after scene on a revolving stage) and then collide.
Playwright Martyna Majok’s character development is profound, the actualisation by four highly gifted performers exquisite.
As Eddie, Pedersen could talk the leg off a table. He brings chutzpah and yearning to the role.
Edmonds channels frustration and fragility. As Ani, she is keen to payout on Eddie at every opportunity, as he inveigles himself back into her life.
Strength and vulnerability are Mabel Li’s go. As Jess, she is most reluctant to let down her guard. Yet when she does, she is exposed.
Oli Pizzey Stratford carries an air of superiority as John, who is not afraid to take advantage of his situation.
Set and costume designer Matilda Woodroofe excels with her craftsmanship. Her evocative set design is masterful, the contrast between rich and poor stark.
Director Anthea Williams’ injects meaning and magic into her choices, which hit the mark every time.
Cost of Living is a work of rare beauty and complexity about need and want, which are common to all, regardless of one’s station in life.
It is on at Southbank Theatre, The Sumner until 19th October, 2024.
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